The Laurel of Asheville‘s Community Events Calendar
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The Laurel of Asheville is a lifestyle magazine focused on the arts, culture, and communities of Western North Carolina, and submitted events should fall within this context. If your event occurs over several days, please submit multiple events. Events extending beyond a month will not be accepted. All submissions are subject to editorial approval and edits for clarity and style before being published online. If you are going to include a photograph, please be certain that you have the rights to utilize that image. If there is a question about image rights, we may remove the image. Also, images should be no larger than 2000 pixels wide. Large images will prevent the event from being submitted. Please allow up to 5 days for your even to be posted. If you encounter difficulties submitting an event, please email [email protected].
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Black Mountain College and Mexico
June 2 - September 9
Black Mountain College had important links to Mexico that until now have been little investigated. Two crucibles of 20th-century creativity, BMC galvanized and inspired artists and intellectuals from around the world, while Mexico’s innovations and age-old traditions—in fine and applied arts, architecture, poetry, music, performance, and more—dovetailed with, and indeed drove, global impulses toward modernism and beyond. Among the many key BMC figures whose lives were importantly touched by experiences in Mexico were Anni and Josef Albers, Ruth Asawa, John Cage, Jean Charlot, Buckminster Fuller, Carlos Mérida, Robert Motherwell, Charles Olson, Clara Porset, M. C. Richards, and Aaron Siskind. In turn, engagements with BMC have played a role in shaping contemporary approaches to art making in Mexico; BMC/MX features work by numerous Mexican artists who have in some way responded to this legacy.
The project Black Mountain College and Mexico examines these artistic reciprocities. The exhibition includes original visual works and sound installations by prominent contemporary Mexican artists alongside vintage works by BMC artists and relevant archival materials—all highlighting the ways in which ideas and modalities are translated across materials, space, and time. Related programming, collaboratively conceived with Mexican counterparts and the Latinx community of North Carolina, includes “Bizarre Sabado:” a series of weekend presentations and performative actions taking place over the course of the exhibition.
Black Mountain College and Mexico offers new historical research and a significant effort toward inclusion and understanding of multiple perspectives. In short, the project is an investigation into modes of communication—the arenas in which new ideas and alliances may take form.
Curated by Eric Baden (Project Director), David Miranda, and Diana Stoll