The Laurel of Asheville‘s Community Events Calendar
If you would like to submit an event to appear in our online Community Events Calendar, please visit our submission page.
The Laurel of Asheville is a lifestyle magazine focused on the arts, culture, and communities of Western North Carolina, and submitted events should fall within this context. If your event occurs over several days, please submit multiple events. Events extending beyond a four-day schedule will not be accepted. All submissions are subject to editorial approval and edits for clarity and style before being published online. If you are going to include a photograph, please be certain that you have the rights to utilize that image. If there is a question about image rights, we may remove the image. Also, images should be no larger than 2000 pixels wide. Large images will prevent the event from being submitted. Please allow up to 4 days for your even to be posted. If you encounter difficulties submitting an event, please email email@example.com.
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WCU School of Stage and Screen’s Production of “A Streetcar Named Desire”
February 16 @ 3:00 pm - 5:30 pm
Written by: Tennessee Williams
Directed by: Acting for Stage and Screen program director Colin Wasmund
One of the most renowned plays of the American theare, Blanche DuBois, a schoolteacher from Mississippi, arrives in New Orleans and takes a streetcar named “Desire” to the French Quarter, where her sister, Stella, and Stella’s husband, Stanley Kowalski, live barely above squalor. Blanche’s affectations of refinement set her immediately at odds with blue-collar Stanley, who is further incensed when he learns his wife’s aristocratic inheritance—the family estate—has been forfeited to creditors. Believing that Blanche has sold the estate for personal profit and is swindling Stella and Stanley from sharing in the proceeds, Stanley disdains and demeans Blanche, who fights back in the only way she knows: with her genteel femininity. The Kowalski’s Elysian Fields apartment becomes a pressure cooker of sensuality and class tensions, until ultimately erupting in some of the most iconic dramatic moments seen on the modern stage.