{"id":54251,"date":"2022-11-01T07:25:44","date_gmt":"2022-11-01T11:25:44","guid":{"rendered":"https:\/\/thelaurelofasheville.com\/updatestage\/?p=54251"},"modified":"2022-11-01T07:32:27","modified_gmt":"2022-11-01T11:32:27","slug":"feature-artist-deneece-harrell","status":"publish","type":"post","link":"https:\/\/thelaurelofasheville.com\/updatestage\/arts\/feature-artist-deneece-harrell\/","title":{"rendered":"Feature Artist: Deneece Harrell"},"content":{"rendered":"
\"\"

(From left) Celebrating Calling; Beauty series #9. Beloved; Treasure of Darkness series. Deneece Harrell, artist<\/p><\/div>\n

By Gina Malone<\/p>\n

In describing the process she uses to create her sculptural porcelain, Deneece Harrell chooses words that suggest how anthropomorphic clay becomes, and how visceral as well. She talks about the \u201cskin-like quality\u201d of the porcelain. Her works have \u201cbodies.\u201d In fact, she says, \u201cthe vessel is described as having a foot, shoulder, neck, lip\u2014human characteristics invoking questions of relationships both personal and interpersonal.\u201d<\/p>\n

\"\"

Deneece Harrell. Photo by S. Rowe<\/p><\/div>\n

Her work is driven, she says, by questioning, searching and wrestling with ideas of identity, worth and purpose. \u201cMy quest to find a medium, process and techniques which would be the foundation of the synthesis of an exploration of ideas led me to using porcelain clay,\u201d she says. Through the years, research and experimentation have helped her discover a composite formula that closely replicates kintsugi, the Japanese art of repairing broken pottery with gold, among other elements, so that the breakage and repair are part of the beauty. \u201cGold leaf is applied in torn and fragmented pieces to the interior and outpouring features of the vessel,\u201d says Harrell, \u201cspeaking of process, unfinished, ongoing revelation of worth, joy, beauty in reflecting value to the work around us.\u201d<\/p>\n

She often begins a piece with fragments of thoughts in mind until she visualizes a form, holds it \u201cin the imagination of my hands\u201d and can then capture it with a quick sketch. When she works with the clay, subtle changes happen, opening up further avenues of reflection. \u201cAll sorts of things can finish a piece,\u201d she says. \u201cVisual satisfaction and unity of thought, as in the end of a paragraph, is the most accurate analogy.\u201d<\/p>\n

Harrell grew up in Lakeland, Florida, where nature and creativity filled her days. \u201cMy parents provided a lot of unstructured time for play, imagination and games,\u201d she says. During her studies in design and architecture at the University of Florida, she took her first ceramics class.<\/p>\n

\u201cMy interest at the time focused on figurative work, head, expression, aging, vessels, textural relationship and learning to make glazes,\u201d she says. \u201cI continued to study sculpture and photography along with interior design.\u201d After graduation she began a career in corporate interior design, later working with residential design and painting. When, later, she began teaching visual art in public schools, she felt as if she had gone back to school herself, she says, \u201cCreating a 3D-heavy ceramic program in middle school provided the opportunity to work almost daily and to broaden my technical skills with clay and art promotion,\u201d says Harrell.<\/p>\n

\"\"

Deneece Harrell, artist<\/p><\/div>\n

She now lives and works in the North Carolina mountains where, as a child, she visited her grandparents. \u201cI am drawn to the layering and splitting forms of stone outcroppings, the interwoven veining in tree branches and leaves, the bright and undulating surface of the water as it flows over the rocks\u2014all of which finds its echo in my work,\u201d she says. Surrounding herself with a rich art community that includes the Southern Highland Craft Guild was another motivating factor for making WNC home.<\/p>\n

Among the regional galleries that carry her work is The Gallery at Flat Rock, where owner Suzanne Camarata was instantly attracted to Harrell\u2019s work for its expression of the Japanese religion Shintoism. \u201cTo me, the white in her pieces reflects the daily practice of purification of mind, body and soul, while at the same time it represents acceptance of one\u2019s own imperfections in all its manifestations,\u201d Camarata says. \u201cThis practice is a constant cleansing, not with a goal of perfection but in cultivating balance and wellbeing.\u201d<\/p>\n

Harrell\u2019s work will also be exhibited November 11\u201313 at the 46th Annual Philadelphia Museum of Art Contemporary Craft Show, in Pennsylvania.<\/p>\n

\u201cMy voice is found in visual expression,\u201d she says. \u201cIt is the language of the heart.\u201d<\/p>\n

Find Deneece Harrell\u2019s work at The Gallery at Flat Rock, in Flat Rock; at The Bascom, in Highlands; and at Allenstand Interiors at the Folk Art Center, in Asheville. To learn more, visit DeneeceHarrell.com<\/a>, or find her on Facebook and Instagram at Deneece Harrell, and on YouTube at Deneece Harrell Sculptural Porcelain.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

In describing the process she uses to create her sculptural porcelain, Deneece Harrell chooses words that suggest how anthropomorphic clay becomes, and how visceral as well. She talks about the \u201cskin-like quality\u201d of the porcelain.<\/p>\n","protected":false},"author":14,"featured_media":54381,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[47,69],"tags":[],"class_list":["post-54251","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-craft-arts"],"yoast_head":"\nFeature Artist: Deneece Harrell - The Laurel of Asheville<\/title>\n<meta name=\"description\" content=\"In describing the process she uses to create her sculptural porcelain, Deneece Harrell chooses words that suggest how anthropomorphic clay becomes, and how visceral as well. 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