{"id":86806,"date":"2026-01-01T06:00:31","date_gmt":"2026-01-01T11:00:31","guid":{"rendered":"https:\/\/thelaurelofasheville.com\/updatestage\/?p=86806"},"modified":"2025-12-30T18:27:40","modified_gmt":"2025-12-30T23:27:40","slug":"history-feature-threads-of-time-how-craft-carries-wncs-history-forward","status":"publish","type":"post","link":"https:\/\/thelaurelofasheville.com\/updatestage\/lifestyle\/history-feature-threads-of-time-how-craft-carries-wncs-history-forward\/","title":{"rendered":"History Feature:<\/strong> Threads of Time ~ How Craft Carries WNC\u2019s History Forward"},"content":{"rendered":"
\"\"

Selu and Kanati. Levi West, artist<\/p><\/div>\n

By Lauren Stepp<\/p>\n

Craft has always been a record keeper. Woven into cloth, carved into clay or forged in fire are the stories of people, places and traditions that span generations. A new exhibition at the Center for Craft, Connections in the Making<\/em>, leans into that idea, presenting work by artists who reveal the many ways craft binds past and present.<\/p>\n

\u201cOne of the themes I draw out in the exhibition is that craft connects us across time, both through historic objects and the people and stories they represent, as well as through craft knowledge and skills that are passed down from generation to generation,\u201d says Marilyn Zapf, the show\u2019s curator. \u201cArtists use historic objects, techniques and forms, but make them their own, and therefore are actively creating future histories.\u201d<\/p>\n

Simply put, the past isn\u2019t a reference point\u2014it\u2019s an active collaborator. Bakersville-based artist Rachel Meginnes, for example, works with vintage quilts, carefully deconstructing and reweaving them into new compositions. As she cuts quarter-inch strips from old quilt tops and backing cloths, she preserves the patterning of the original makers, allowing their choices to guide her own.<\/p>\n

\u201cPart of what I love about working with old quilts and textiles is the evidence of time, care and wear embedded in the cloth,\u201d Meginnes says, pointing to ink stains, bias-cut fabric and worn seams. \u201cThese material details and the history of my hands-on process, alongside those of the original quilters, are my metaphors for human existence and the challenge and beauty of daily life.\u201d<\/p>\n

That idea resonates with Levi West, an enrolled member of the Eastern Band of Cherokee Indians. For the exhibition, he created contemporary versions of artifacts found on archeological sites across the Southeast. He sees these sculptures as stand-ins for originals, explaining that \u201cthe archaeological pieces deserve to be with the people they were created for and not on display for tourism.\u201d<\/p>\n

He adds that his sculptures do more than honor the past\u2014they point to a culture that is very much alive. \u201cI want people to see a living culture,\u201d he says. \u201cThere is a group of multiple generations passionate about reawakening these traditions.\u201d<\/p>\n

Other works broaden the historical frame, from Cherokee baskets rooted in land-based practices to an illustration of James Vester Miller, the master brick mason whose surviving structures help reclaim a chapter of Asheville\u2019s past too often overlooked. Zapf hopes these perspectives invite viewers to reconsider how craft shapes\u2014and is shaped by\u2014the region\u2019s layered histories.<\/p>\n

\u201cConnections in the Making<\/em> features artists from the region whose work offers different points of connection to help viewers explore why craft matters,\u201d she says.<\/p>\n

The Center for Craft is located at 67 Broadway Street, Asheville. Connections in the Making is on view in the Bresler Family Gallery through October 31. Learn more at CenterForCraft.org<\/a>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Craft has always been a record keeper. Woven into cloth, carved into clay or forged in fire are the stories of people, places and traditions that span generations. A new exhibition leans into that idea, presenting work by artists who reveal the many ways craft binds past and present.<\/p>\n","protected":false},"author":14,"featured_media":86808,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[69,94,57],"tags":[],"class_list":["post-86806","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-craft-arts","category-heritage","category-lifestyle"],"yoast_head":"\nHistory Feature: Threads of Time ~ How Craft Carries WNC\u2019s History Forward - The Laurel of Asheville<\/title>\n<meta name=\"description\" content=\"Craft has always been a record keeper. 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