{"id":87789,"date":"2026-01-28T06:00:15","date_gmt":"2026-01-28T11:00:15","guid":{"rendered":"https:\/\/thelaurelofasheville.com\/updatestage\/?p=87789"},"modified":"2026-01-29T08:45:55","modified_gmt":"2026-01-29T13:45:55","slug":"aga-showcases-from-representation-to-abstraction-a-dialogue-between-two-painters","status":"publish","type":"post","link":"https:\/\/thelaurelofasheville.com\/updatestage\/arts\/aga-showcases-from-representation-to-abstraction-a-dialogue-between-two-painters\/","title":{"rendered":"AGA Showcases From Representation to Abstraction, a Dialogue Between Two Painters"},"content":{"rendered":"

A century ago, the emergence of abstraction reshaped modern painting by loosening artists\u2019 obligation to depict the visible world. From<\/em> Representation to Abstraction<\/em>, opening with a public reception on Friday, February 6, from 5\u20137:30 p.m. at the Asheville Gallery of Art and running through the end of the month, brings that evolution into focus through the work of local painters Susan Spies and Jude Kaye.<\/p>\n

\"\"

Primrose. Susan Spies, artist<\/p><\/div>\n

Self-described as a \u201clousy gardener but an intentional flower painter,\u201d Spies works primarily in oils and often begins with botanical subjects, from lilies to gladiolus. \u201cFor this show, I am more on the representational side of the spectrum than Jude, although my heart beats very fast for abstraction,\u201d she says.<\/p>\n

While her floral imagery remains identifiable at first, it quickly blooms into something more gestural. \u201cI still feel that quiet joy that comes from putting what I see onto a flat plane and then making it come alive,\u201d says Spies.<\/p>\n

Kaye\u2019s approach embraces abstraction as a counter to rationality. After more than 35 years as a management consultant for nonprofit organizations, she turned to painting following retirement, building on earlier work as a stained-glass artist. The shift marked a move away from analysis and toward intuition.<\/p>\n

\u201cMy consulting work required me to be practical, academic, methodical and analytical,\u201d she says. \u201cI lived in a world of words, rational thought and big-picture thinking. As a painter, I get to inhabit a different world\u2014one of emotion, experimentation, playfulness and impulsiveness.\u201d<\/p>\n

\"\"

Tropical Fish. Jude Kaye, artist<\/p><\/div>\n

Her paintings for From Representation to Abstraction<\/em> are largely nonrepresentational and grounded in physicality. Acrylic mediums, sand, glass balls and washi tape create layered surfaces that reward close looking and emphasize texture as a primary expressive tool.<\/p>\n

Despite their different processes, Spies and Kaye share a deep respect for female artists in history whose works were often overshadowed by male contemporaries. That shared lineage helps anchor the exhibition\u2019s dialogue.<\/p>\n

The viewer, too, plays a role. Without fixed narratives, the show begs for interpretation. \u201cAbstract painting invites the viewer to be an active participant rather than a passive observer,\u201d Kaye says. \u201cAt its best, abstract art invites viewers to access their own imagination.\u201d<\/p>\n

Spies agrees. \u201cOnce I put a painting out there, I\u2019m fine with however it\u2019s perceived\u2014as abstract, realistic or a memory or feeling,\u201d she says.<\/p>\n

The Asheville Gallery of Art is located at 82 Patton Avenue in downtown Asheville and is open daily from 11 a.m. to 6 p.m. For more information, visit AshevilleGalleryofArt.com<\/a> or follow the gallery on Facebook and Instagram.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

A century ago, the emergence of abstraction reshaped modern painting by loosening artists\u2019 obligation to depict the visible world. From Representation to Abstraction brings that evolution into focus through the work of local painters Susan Spies and Jude Kaye.<\/p>\n","protected":false},"author":14,"featured_media":87743,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[47,104],"tags":[],"class_list":["post-87789","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-galleries"],"yoast_head":"\nAGA Showcases From Representation to Abstraction, a Dialogue Between Two Painters - The Laurel of Asheville<\/title>\n<meta name=\"description\" content=\"A century ago, the emergence of abstraction reshaped modern painting by loosening artists\u2019 obligation to depict the visible world. 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