{"id":96775,"date":"2026-08-28T06:00:27","date_gmt":"2026-08-28T10:00:27","guid":{"rendered":"https:\/\/thelaurelofasheville.com\/updatestage\/?p=96775"},"modified":"2026-09-15T15:03:05","modified_gmt":"2026-09-15T19:03:05","slug":"home-garden-greta-lees-home-sustainable-living-art","status":"publish","type":"post","link":"https:\/\/thelaurelofasheville.com\/updatestage\/communities\/home-garden-greta-lees-home-sustainable-living-art\/","title":{"rendered":"Home & Garden:<\/strong> Greta Lee\u2019s Home ~ \u2018Sustainable Living Art\u2019"},"content":{"rendered":"
\"\"

Photo by Sam Robertson<\/p><\/div>\n

By Emma Castleberry<\/p>\n

Greta Lee\u2019s West Asheville home did not come together through a single renovation, a carefully mapped design plan or a series of purchases made all at once. Instead, it evolved over years, shaped by what Lee could afford, what she happened to find and\u2014most importantly\u2014the people she encountered along the way.<\/p>\n

Lee calls her home a work of \u201csustainable living art,\u201d where salvaged materials mingle with original artwork and where nearly every object carries a story.<\/p>\n

\"\"

Photo by Sam Robertson<\/p><\/div>\n

\u201cI try to think of the whole lifecycle of art, from beginning and middle to end, and how it can loop around and how it can keep going,\u201d Lee says. \u201cIt\u2019s kind of like regenerative agriculture in that sense. My art moves, it changes. I like to be as organic and local as possible.\u201d<\/p>\n

The story of the house is also intertwined with Lee\u2019s history with The Laurel of Asheville, where she worked for many years, first in accounting and later in advertising sales. After a divorce, Lee saved the commissions for two years to afford a down payment on her home.<\/p>\n

\u201cThat represented freedom and independence and security,\u201d Lee says of owning a home.<\/p>\n

Once the house was hers, transforming it became a long-term project. Lee remodeled it piece by piece, often purchasing materials and furnishings secondhand or from businesses she had encountered through her work with The Laurel. Habitat for Humanity ReStore became a particularly important resource, supplying everything from flooring and tile to furniture.<\/p>\n

\"\"

Photo by Sam Robertson<\/p><\/div>\n

\u201cFollowing my customers, delivering magazines to their businesses, I was able to buy items from many of my advertisers and small business owners on a very tight budget,\u201d she says. The home\u2019s Silestone countertops and maple cabinets were purchased from a business that was one of Lee\u2019s advertising clients. The custom-made maple countertops were crafted by a local craftsman she met through her work. Lee remained steady in her commitment to the renovation, but admits that tackling it piecemeal was sometimes tedious.<\/p>\n

\u201cThe slow approach was very uncomfortable, many, many times,\u201d she says.<\/p>\n

But waiting also gave Lee the opportunity to build the house differently. Instead of deciding exactly what she wanted and buying it new, she waited for the right materials to appear. This resulted in some of the most distinctive parts of the home. Her floors, for example, incorporate former display samples of hickory, pine, oak, maple and other woods. Arranged together, the varied boards resemble a quilt.<\/p>\n

The natural surroundings influenced her choices, too. Lee was drawn to the property in part because of its oak and cedar trees and its position above the French Broad River. The mountains, waterways and plants of Western North Carolina are reflected in the home\u2019s interior.<\/p>\n

\"\"

Photo by Sam Robertson<\/p><\/div>\n

Original artwork adds another layer, including, most notably, The Cosmic Whale, a large mural by Lee\u2019s daughter, artist Savannah Camp. Lee commissioned Camp to create the work in 2020 after Camp lost her job during the COVID-19 pandemic. Lee gave her daughter freedom to determine what the mural would become, and Camp completed the detailed work in about a week and a half.<\/p>\n

\u201cThe Cosmic Whale is a reflection of the stars on the whale\u2019s back\u2026and I think that\u2019s our purpose here on Earth\u2014to reflect light to the Earth,\u201d Lee says.<\/p>\n

Today, the dining room beneath the mural is Lee\u2019s favorite place in the house. She can sit at her thrifted granite table with the mural in view, remembering the experience of watching her daughter create it.<\/p>\n

\"\"

Photo by Sam Robertson<\/p><\/div>\n

\u201cSeeing her create art is what living in Asheville does,\u201d Lee says. \u201cYou see the art, you want to make the art, support the arts.\u201d<\/p>\n

West Asheville and the French Broad River corridor have undergone substantial transformations during the years Lee has lived there, from the appearance of new trails and community infrastructure to the destruction of Hurricane Helene. For Lee, the disaster reinforced the importance of the community connections that have always been part of her idea of home.<\/p>\n

\u201cThe spirit of our community is a giving one,\u201d Lee says. \u201cI\u2019m proud of all the connections I\u2019ve made in my community. I love my neighbors.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

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