The Laurel of Asheville‘s Community Events Calendar
If you would like to submit an event to appear in our online Community Events Calendar, please visit our submission page.
The Laurel of Asheville is a lifestyle magazine focused on the arts, culture, and communities of Western North Carolina, and submitted events should fall within this context. If your event occurs over several days, please submit multiple events. Events extending beyond a month will not be accepted. All submissions are subject to editorial approval and edits for clarity and style before being published online. If you are going to include a photograph, please be certain that you have the rights to utilize that image. If there is a question about image rights, we may remove the image. Also, images should be no larger than 2000 pixels wide. Large images will prevent the event from being submitted. Please allow up to 5 days for your even to be posted. If you encounter difficulties submitting an event, please email [email protected].
Ryan Montbleau (solo)
May 7 @ 8:00 pm - 10:00 pm
$26.32
ALL AGES
SEATED SHOW
LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE
RYAN MONTBLEAU
A relentless road warrior and masterful wordsmith, Ryan Montbleau has spent the better part of thirty years cultivating a devoted audience on the strength of his ecstatic live shows and exhilarating sonic versatility. He’s collaborated with artists as diverse as Trombone Shorty, Galactic, Steel Pulse, Tall Heights, Martin Sexton, Anders Osborne, and George Porter, Jr; shared bills with the likes of Tedeschi Trucks Band, Ani DiFranco, Todd Snider, The Wood Brothers, Rodrigo y Gabriela, and Mavis Staples; and racked up more than 150 million streams on Spotify alone. NPR’s Mountain Stage compared his “eloquent, soulful songwriting” to Bill Withers and James Taylor, while Relix celebrated his “poetic Americana,” and The Boston Herald raved that “he’s made a career of confident, danceable positivity.”
Montbleau’s freewheeling new album finds him exploring the full spectrum of his influences like never before, touching on folk, rock, funk, soul, hip-hop, and reggae, all with a preternatural ease that belies the intensely focused craftsmanship behind it. The songs are sprawling and unpredictable, grappling with a modern world perpetually teetering on the edge of chaos, but the performances are relentlessly optimistic, insisting on hope and joy in the face of it all. The result is Montbleau’s most vulnerable and cathartic work yet, an album that acknowledges the inevitability of doubt and pain while at the same time celebrating our limitless capacity for growth and love.
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